gog files don't quite sound the way I need them to, even when triggering directly from the trigger ticks (with auto-align off). It seems that on especially fast sections, the SSD. My main question is what to do after my tracks are quantized. Quantizing the tracks to the grid is mandatory, of course, and I have no problem performing this operation. I have triggers recording directly into tracks in Pro Tools, as well as close mics on each drum and appropriate cymbal mics. I know lots of guys use the SSD samples (quite successfully) in these styles of production, so my question to the community is this: What are the best practices in terms of fast, blast beat type drums? During some downtime over the last few days, I've been trying to figure out the most time-efficient way of getting the drum tones they requested, but I'm hitting a wall. I use Drumagog and usually end up triggering directly off of the mic'd performance, which generally yields good results.Ī band of the "deathcore" persuasion has contacted me about recording and referenced Job for a Cowboy and the Red Chord as their preferred drum sounds. Normally, I use SSD to slightly augment the drums on straightforward rock, punk and hardcore sessions.
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